I really like the sky and clouds following his body, the blownout, overexposed lighting and colour creates a nice aureola effect, while still keeping a modern approach of not directly doing that, very fitting for the son of God.
The impressionist like brushwork on the water and him kinda clashes with it, the water being the more aggresive and creating some visual confusion, but I still like it anyway. It might actually be the colour or saturation choices and not the brush strokes themselves, because I don't mind him being like that because it just makes him look more solid and present compared to the background. And hey, more muscular interpretations of Jesus is always fun.